Skip to main content
Postgraduate

MA Graphic Communication Design

Collage of student work
Clockwise from top left: Anna Niklova, Off The Grid; Stephanie Jin, Lorem Ipsum, Where’s Your Daddy?; Sachi Patil, Decaying: Conversations with Machines on Human Life; Lily Kong, I’m Fine; Matt Urpani, An Array of Constraints; Owen Lewis, Eating Ortolan in the Hammock of Reality; Klara Blazek, Self-Cities, Clockwise from top left: Anna Niklova, Off The Grid; Stephanie Jin, Lorem Ipsum, Where’s Your Daddy?; Sachi Patil, Decaying: Conversations with Machines on Human Life; Lily Kong, I’m Fine; Matt Urpani, An Array of Constraints; Owen Lewis, Eating Ortolan in the Hammock of Reality; Klara Blazek, Self-Cities.
College
Central Saint Martins
Start date
September 2025
Course length
Two years (60 weeks)
Extended full-time

MA Graphic Communication Design brings critical depth and rigour to an increasingly noisy and disorienting visual landscape.

Course summary

Applying for more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL (excluding online or low-residency courses and Graduate Diplomas). Find out more in the Apply Now section.

The course intervenes meaningfully in a world continuously reconfigured by its modes of communication and knowledge production. It is part of the Graphic Communication Design programme.

Why choose this course at Central Saint Martins

  • Open practice: This course provides a structured and open framework for the development of a critical practice in an expanding field of graphic communication design. Our community of designers works across established specialisms such as typography, book design, and illustration, as well as emerging digital and social practices.
  • Enquiry through experimentation: We engage with graphic communication design and writing practice as forms of research. Through rigorous experimentation with visual media and tools of communication we ask questions, interrogate existing knowledge, and propose new forms of knowledge.
  • Contextualized practice: We position graphic design as a relational practice that not only reflects but actively reconfigures its cultural, social, and environmental contexts.
  • Critical exchange: This course gathers together a highly international student and staff community, and the wide variety of their individual experiences provides a foundation for critical examination of historical and contemporary contexts for practice.

Open days

There are currently no open days scheduled for this course, please check back at a later date.

Recordings

Watch a recording of the recent MA Graphic Communication Design open day.

Scholarships, bursaries and awards

Course overview

MA Graphic Communication Design explores how the production of knowledge is intertwined with its form, context, and circulation. The course takes an expanded approach to the idea of research, combining studio and writing practice to engage critically with graphic design as both a creative practice and a subject of study. Through iterative and open-ended experimentation with visual media and tools of communication, students develop work that investigates existing knowledge, activates positions, and projects new forms of knowledge—within and beyond the discipline.

Engaging with studio and writing practice as a form of rigorous enquiry, students and staff together explore how graphic design is a situated and relational discipline that both reflects and reconfigures its cultural, social, and environmental conditions. From this position, our community of practitioners critically interrogates the academic and professional contexts for practice as well as the very nature of the discipline itself, continually co-defining and re-defining the expanding field of graphic design.

MA Graphic Communication Design, along with BA Graphic Communication Design and a small group of PhD students, is part of the Graphic Communication Design programme. In addition to sharing an academic team and studio spaces, the programme offers a range of extracurricular events, lectures, live briefs, and other activities.

Engaging with climate, racial and social justice in the Graphic Communication Design Community at Central Saint Martins

The accelerating climate and ecological emergency is exposing the unsustainability and injustice of the political, social, and economic systems that have created them. An overarching goal for our programme community has necessarily become to question how graphic communication design practices can critique and intervene in the systems of extraction and exploitation that have led us to the brink of collapse. 

Historically, graphic design has serviced various imbalanced power structures, and in this way, has contributed to perpetuating climate, racial and social injustices. At the same time, our discipline’s media and methods provide powerful tools for negotiating and communicating the complexities of the current moment. 

The need for high quality and carefully nuanced communication is increasing as the complexity of intersecting crises escalates. In the context of widespread disinformation and cultures of media illiteracy, graphic communication design's capacity for enhancing existing forms of public discourse – and generating new forms – is much needed. 

Our programme is distinct in both its scale and its diversity and is well positioned to engage with our present challenges. We will consider these kinds of questions from a range of creative perspectives: 

• How might graphic and communication design engage proactively with wider institutions and systems? 
• What role might our practices play in envisioning just and sustainable alternatives? 
• What is the role of communication in redefining and recreating relations between humanity and nature? 

As a community, we will collectively reimagine current and future role(s) for graphic communication design in the face of these urgent crises. We see this as a serious and vital challenge—the future has yet to be designed! 

Contact us

Register your interest to receive information and updates about studying at UAL.

Contact us to make an enquiry.

Course units

On MA Graphic Communication Design, coursework and learning build successively across three units. In response to project briefs set by tutors and through independent planning, you will develop a body of studio and written work that explores graphic design as a research practice, articulates your positions, and extends the propositions of your work through attention to form and production.

Presentation, discussion, and critique are essential to the development of your practice and provide the foundation for learning on the course. This will happen in group and individual tutorials as well as through tutor-led, peer-to-peer, and self-reflective assessment. In addition, you will interrogate existing and new contexts of practice through reading groups and seminars, and you will develop a critical engagement with form through short making-led workshops.

A series of course lectures consolidates knowledge across all units and further supports progression through the curriculum by providing broader context for the study and practice of graphic communication design.

A note on unit titles: In the field of logic, the arrow symbol [→] is used to indicate a material implication. For example, Methods → Positions could be read as Methods imply Positions. The double-headed arrow [↔] is used to indicate a material equivalence. Thus, Methods ↔ Positions could be read as either Methods means the same as Positions or Methods if and only if Positions. In the case of unit titles in MA Graphic Communication Design, these symbols are used to indicate that differentiated aspects of practice are, in fact, not only cumulative but co-defining.

Unit 1: Methods

In Unit 1 you will challenge conventional notions of research by exploring how the media, methods, and skills of graphic communication design practice can be used to enquire, to interrogate, or to speculate new forms of knowledge. Guided by studio briefs set by tutors, you will initiate a series of iterative and process-led experiments. These experiments will develop your understanding of, and capacity to engage in, open-ended enquiry through making. In lieu of singular and closed outcomes, each of your projects will grow through systematic engagement in a method. 

Unit 2: Methods ↔ Positions

In Unit 2 you will explore how positions arise through, or are inherent in, experimentation with methods and media. You will situate yourself within the discipline of graphic design, such as in context of a medium, production process, or mode of distribution. You will also explore how graphic design frames your engagement with broader contexts, such as social and environmental conditions, institutions, markets, technologies, other fields of study, etc.

Your coursework will develop through continued iterative and process-led experimentation, and by critically contextualising your practice through reading, writing, and association. This will enable you to explore how a research practice articulates, enacts, and publishes (makes public) new forms of knowledge through and about graphic design.

Unit 3: Methods ↔ Positions ↔ Projections

In Unit 3 you will project your research practice into new territory through a more critical interrogation of the relationship between the form of a message, its medium, and its context. Building on your iterative, experimental, and process-led work from previous units, you will consider how engaging with the details of production opens more possibilities for your work.

You will also consider how projections, as acts of publication, distribution, and/or circulation, are relational and contextual. You will explore how your practice develops though its interaction with networks, publics, and audiences. 

Important note concerning academic progression through your course: If you are required to retake a unit you will need to cease further study on the course until you have passed the unit concerned. Once you have successfully passed this unit, you will be able to proceed onto the next unit. Retaking a unit might require you to take time out of study, which could affect other things such as student loans or the visa status for international students. 

Mode of study

MA Graphic Communication Design is offered in extended full-time mode which runs for 60 weeks over two academic years. You will be expected to commit to 30 hours per week to study, which includes teaching time and independent study.

The course has been designed in this way to enable you to pursue studies, while also undertaking part-time employment, internships, or care responsibilities.

Credit and award requirements 

The course is credit-rated at 180 credits.

On successfully completing the course, you will gain a Master of Arts (MA degree). 

Under the Framework for Higher Education Qualifications, an MA is Level 7. All units must be passed in order to achieve the MA but the classification of the award is derived from the mark for the final unit only. 

If you are unable to continue on the course, a Postgraduate Certificate (PG Cert) will normally be offered following the successful completion of 60 credits, or a Postgraduate Diploma (PG Dip) following the successful completion of 120 credits.

Learning and teaching methods

The learning and teaching methods devised for this course include: 

  • Staff-led briefs
  • Negotiated briefs
  • Lectures
  • Workshops
  • Tutorials
  • Discussions and critiques
  • Tutor-led, peer-to-peer, and self-reflective assessment

Your engagement with technical workshops at CSM 

The development of technical skills relevant to your practice are an important part of your learning on MA Graphic Communication Design. Throughout your studies, you will interact with a range of workshop facilities related to contemporary and historical media and methods in graphic design within areas including: Print & Production, Digital Media, Film & Video and/or Photography. Your engagements will include some organised introductions, inductions, and technical sessions associated with specific units and taught sessions. At the same time, MA GCD is a media agnostic course in which you are expected to take responsibility for identifying which media and methods are most important to your learning and develop your practice by consulting proactively with the relevant workshops and technicians to mature your skills on an independent basis—this is particularly important during your final year of study. 

Assessment methods

  • Presentations
  • Media-based projects
  • Written work
  • Self-evaluation

Defining graphic communication design: A film by graduate Xiaoying Liang

UAL Showcase

Explore work by our recent students on the UAL Showcase

  • Unveiling Language and Identity
    Unveiling Language and Identity, Amandine Forest-Aguié, 2023 MA Graphic Communication Design, Central Saint Martins, UAL
  • Hum Dono Taxi Mein (Two of Us, In a Taxi)
    Hum Dono Taxi Mein (Two of Us, In a Taxi), Osman Bari, 2023 MA Graphic Communication Design, Central Saint Martins, UAL
  • The Common Room: A Condition That We Cannot Escape
    The Common Room: A Condition That We Cannot Escape, Rakshita Arvind, 2023 MA Graphic Communication Design, Central Saint Martins, UAL
  • The Photo-cut Printing Process
    The Photo-cut Printing Process, Charlotte Parr-Burman, 2023 MA Graphic Communication Design, Central Saint Martins, UAL
  • The Margins of Memory (2023)
    The Margins of Memory (2023), Reya Ahmed, 2023 MA Graphic Communication Design, Central Saint Martins, UAL
  • Unsteady Ground
    Unsteady Ground, Maria Camila Lugo, 2024 MA Graphic Communication Design, Central Saint Martins, UAL
  • Hungry Sayings from Colombia
    Hungry Sayings from Colombia, Evy Prentice, 2024 MA Graphic Communication Design, Central Saint Martins, UAL
  • Printing Mountains
    Printing Mountains, Juliana Monsalve Carrillo, 2024 MA Graphic Communication Design, Central Saint Martins, UAL
  • A farmers‘ language
    A farmers‘ language, Pia Marktl, 2024 MA Graphic Communication Design, Central Saint Martins, UAL

Facilities

MA Graphic Communication Design publications

MA Graphic Communication Design stories

  • L to r: Patrick Garvey, Izzy McCormack, Bhavna Madan Mohan, Joshua Obichere and Funmi Olawuyi. Photo: Cameron McColl

    2024 MullenLowe NOVA Award winners

    Six graduating students spanning fine art, product design, fashion and character animation are recognised with MullenLowe NOVA awards for their final projects at Central Saint Martins.

  • Evy Prentice, MA Graphic Communication Design

    MullenLowe NOVA Awards 2024 shortlist

    Presenting the 2024 shortlist for the MullenLowe NOVA Awards for Fresh Creative Talent. Fifteen works by our graduating students across art, design, performance, fashion, materials and culture.

  • Tong Yin, BA Textile Design

    MullenLowe NOVA Awards 2024: the nominees

    The nominations for this year's MullenLowe NOVA Awards are a filter of the CSM class of 2024: fifty ideas across art, design, fashion, architecture, materials and performance that bring us to a closer understanding of our selves and our future.

  • Miles Robinson, BA Jewellery Design. Photo: Paul Cochrane

    MullenLowe NOVA Awards 2023 shortlist

    Congratulations to our students shortlisted for this year's MullenLowe NOVA Awards for Fresh Creative Talent, recognising hopeful and insightful interventions into our world.

Find us on social media

Keep up with the latest stories from the Graphic Communication Design programme by following us on Instagram, Twitter and Threads.

Staff

Senior Lecturer: Abbie Vickress

Associate Lecturer: Jayoon Choi
Associate Lecturer: Max Colson
Associate Lecturer: Houman Momtazian
Associate Lecturer: Michela Zoppi

Graduate Teaching Assistant: Stephanie Jin
Graduate Teaching Assistant: Owen Lewis

Fees and funding

Home fee

£8,065 per year

This fee is correct for 2025/26 entry and is subject to change for 2026/27 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£21,530 per year

This fee is correct for 2025/26 entry and is subject to change for 2026/27 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Additional costs

You may need to cover additional costs which are not included in your tuition fees, such as materials and equipment specific to your course. For a list of general digital equipment you may need (and how you can borrow equipment), visit our Study costs page.

Accommodation

Find out about accommodation options and how much they will cost, and other living expenses you'll need to consider.

Scholarships, bursaries and awards

If you’ve completed a qualifying course at UAL, you may be eligible for a tuition fee discount on this course. Find out more about our Progression discount.

You can also find out more about the Postgraduate Masters Loan (Home students only) and scholarships, including £7,000 scholarships for Home and International students. Discover more about student funding.

If you’re based in the UK and plan to visit UAL for an Open Event, check if you’re eligible for our UAL Travel Bursary. This covers the costs of mainland train or airline travel to visit UAL.

How to pay

Find out how you can pay your tuition fees.

Scholarship search

Entry requirements

The standard entry requirements for this course are as follows:

  • An honours degree
  • Or an equivalent EU/international qualification.

AP(E)L – Accreditation of Prior (Experiential) Learning

Exceptionally applicants who do not meet these course entry requirements may still be considered. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • Related academic or work experience
  • The quality of the personal statement
  • A strong academic or other professional reference

Or a combination of these factors.

Each application will be considered on its own merit but cannot guarantee an offer in each case.

English language requirements

IELTS level 6.5 or above, with at least 5.5 in reading, writing, listening and speaking (please check our main English language requirements webpage).

Selection criteria

We select applicants according to potential and current ability in the following areas:

  • Creative intelligence and aesthetic sensitivity demonstrated by design portfolio
  • Flexibility, self-awareness and capacity to cultivate a research-driven practice
  • Written and verbal communication skills
  • Capacity to reflect critically on graphic communication design
  • Independence, sense of purpose and a capacity to commit to coursework
  • Relevant previous experience
  • Alignment of personal aims and objectives to the curriculum.

Information for disabled applicants

UAL is committed to achieving inclusion and equality for disabled students. This includes students who have:

     
  • Dyslexia or another Specific Learning Difference
  • A sensory impairment
  • A physical impairment
  • A long-term health or mental health condition
  • Autism
  • Another long-term condition which has an impact on your day-to-day life

Our Disability Service arranges adjustments and support for disabled applicants and students.

Read our Disability and dyslexia: applying for a course and joining UAL information.

Apply now

Application deadline

Deadline

Round 1:

10 December 2024 at 1pm (UK time)

Round 2:

26 March 2025 at 1pm (UK time)

Digital portfolio deadline

Round 1:

8 January 2025 at 1pm (UK time)

Round 2:

9 April 2025 at 1pm (UK time)

Decision outcome

Round 1:

21 March 2025

Round 2:

20 June 2025

Round 1
Round 2
Deadline
10 December 2024 at 1pm (UK time)
26 March 2025 at 1pm (UK time)
Digital portfolio deadline
8 January 2025 at 1pm (UK time)
9 April 2025 at 1pm (UK time)
Decision outcome
21 March 2025
20 June 2025

We have 2 rounds of deadlines for postgraduate courses: one in December and one in March. If there are still places available after 26 March, this course will remain open to applications until all places have been filled.

Read more about deadlines

Apply now

Application deadline

Deadline

Round 1:

10 December 2024 at 1pm (UK time)

Round 2:

26 March 2025 at 1pm (UK time)

Digital portfolio deadline

Round 1:

8 January 2025 at 1pm (UK time)

Round 2:

9 April 2025 at 1pm (UK time)

Decision outcome

Round 1:

21 March 2025

Round 2:

20 June 2025

Round 1
Round 2
Deadline
10 December 2024 at 1pm (UK time)
26 March 2025 at 1pm (UK time)
Digital portfolio deadline
8 January 2025 at 1pm (UK time)
9 April 2025 at 1pm (UK time)
Decision outcome
21 March 2025
20 June 2025

We have 2 rounds of deadlines for postgraduate courses: one in December and one in March. If there are still places available after 26 March, this course will remain open to applications until all places have been filled.

Read more about deadlines

Apply to UAL

Start your application
or

Apply with a UAL Representative

Based across the world, our local UAL representatives can support you with your application from your home country. Check to see if there is a representative available in your country currently.

Find your representative

How to apply

Follow this step-by-step guide to apply for this course

Step 1: Initial application

You will need to submit an initial application including your CV and a written task.

CV advice

Please provide a CV detailing your education, qualifications and any relevant work or voluntary experience. If you have any web projects or other media that you would like to share, please include links in your CV. If English is not your first language, please also include your most recent English language test score.

Written task

Instead of a personal statement, we would like you to submit a written essay. Your essay should respond directly to the following 2 prompts:

Part 1 (200-300 words):

Take a look at the 'Why choose this course at Central Saint Martins" section at the top of this course page. This identifies and describes 4 features of the course:

  • open practice
  • enquiry through experimentation
  • contextualised practice
  • critical exchange.

Select one of these 4 features and explain how that aspect of the course would support you in your professional and/or academic goals.

Part 2 (200-300 words):

Identify a project (made by someone else) that demonstrates a critical or experimental use of the tools, methods or media of graphic and communication design.

This could include work that is research-driven, work that experiments with media in an open-ended way and/or work that explores the conditions or boundaries of professional practice.

Write your thoughts on how this project challenges current presumptions about graphic and communication design.

Step 2: Digital portfolio

We will review your initial application. If you have met the standard entry requirements, we will ask you to submit a digital portfolio.

You’ll need to submit this via PebblePad, our online portfolio tool.

Digital portfolio advice

Your portfolio should consist of recent work that reflects your creative strengths.

It should:

  • be a maximum of 25 pages in landscape A4 or letter-size format and saved as a PDF
  • include images from 2-3 projects that demonstrate your practical understanding of graphic communication design (this could include work made for a client or community group, pieces that fulfil a specific communication need or that demonstrate your visual and technical skills in a wide range of mediums).
  • include images from 2-3 projects that demonstrate a more critical or experimental use of graphic design communication (this could include research and experiments with different media).
  • include brief captions to explain and contextualise each project. If any work was completed as a group, please indicate your role.
  • Include annotations to give context to your work (maximum 50 words per image or 200 words per project, including dates).

For more support, see our Portfolio advice and PebblePad advice.

Step 3: Interview

You may be invited to an interview following our review of your application. All interviews are held online and last 15 to 20 minutes.

For top tips, see our Interview advice.

You also need to know

Communicating with you

Once you have submitted your initial application, we will email you with your login details for our Applicant portal.

Requests for supplementary documents like qualifications and English language tests will be made through the applicant portal. You can also use it to ask questions regarding your application. Visit our After you apply page for more information.

Applying to more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL. This excludes online or low-residency courses and Graduate Diplomas, which you can apply to in addition to 3 other postgraduate courses.

If you apply for more than 3 postgraduate courses between October 2024 and August 2025, we won’t accept the 4th application. It’s not possible to withdraw an application to replace it with another.

You need to tailor your application, supporting documents and portfolio to each course, so applying for many different courses could risk the overall quality of your application. If you receive offers for multiple courses, you'll only be able to accept 1 offer.

Visas and immigration history check

All non-UK nationals must complete an immigration history check. Your application may be considered by our course teams before this check takes place. If your course requires a portfolio and/or video task, we may request these before we identify any issues arising from your immigration history check. Sometimes your history may mean that we are not able to continue considering your application. Visit our Immigration and visas advice page for more information.

External student transfer policy

UAL accepts transfers from other institutions on a case-by-case basis. Read our Student transfer policy for more information.

Alternative offers

If your application is really strong, but we believe your strengths and skillset are better suited to a different course, we may make you an alternative offer. This means you will be offered a place on a different course or at a different UAL College.

Deferring your place

We do not accept any deferral requests for our postgraduate courses. This means that you must apply in the year that you plan to start your course and you will not be able to defer your place to start at a later date.

Application deadlines

Most of our postgraduate courses have 2 rounds of deadlines: one in December and one in March.

As long as you apply ahead of each deadline we will consider your application alongside all the other applications in that round. We always make sure to hold enough places back for round 2 to make sure we can consider your application fairly, no matter which round you apply in.

If there are still places available after the second deadline, the course will remain open to applications until all places have been filled.

Careers

It's easier and more affordable to print a newspaper or a book, publish a web page, or shoot and edit a video than it's ever been before. This democratisation of media is energising, but what becomes of the professional designer? By asking important questions such as why we design, what it means to claim identities as graphic communication designers, and where being a designer may take us, graduates of MA Graphic Communication Design are well equipped to take a pro-active and innovative approach to building their futures.

Our interrogative approach to careers is underpinned by a wide range of practical exposure and support. Students attend weekly Graphic Communication Design programme lectures by contemporary practitioners, which explore a variety of professional practices and offer insights into life as a designer. The programme also hosts alumni events where graduates share their experiences and network with students. The university also provides a wide range of practical careers support available to all students at UAL.

Our graduates have gone on to launch their own studios and publishing companies, work for large-scale institutions and corporations around the world, freelance in their chosen areas, or develop their own new models for design practice. An increasing number of our graduates are following the MA with PhD study and choosing to pursue a design research career.